Technological Music Vol. 2

by Kyle Bruckmann

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Technological Music Vol. 2
or, Regarding, in Addition to Concerns Previously Explicated, Matters of Process, Artifice, and Verisimilitude

A series of calculated disasters wherein compositional intent is exercised to varying degrees before and/or after the moment of performance. The Irreproducible Results are single-pass, unedited improvisations featuring borrowed gear configured to maximise complexity and minimise predictability. The remainder are heavily edited constructions utilising detritus of the aforementioned experiments, with the Pulse Matrices continuing a game of formal telephone begun on Vol. 1.

Tools include oboe, English horn, heckelphone, baritone oboe, microphones, and analogue synthesis.

Many thanks to Lance Grabmiller, Matt Ingalls, Scott Goff, Ernst Karel, Niko Wenner, Allon Kaye, and the San Francisco Contemporary Music Players.

See also Technological Music Vol. 1

Originally released (and still available) on CD, in an edition of 200 copies, by Entr'acte (E192). Made digitally available August 2017 with permission from the label.

credits

released May 1, 2015

Mastered by Giuseppe Ielasi.
Photo: Wolfgang Köhler
Intelligenzprüfungen an Anthropoiden
Berlin, 1917

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Kyle Bruckmann Oakland, California

Oakland, CA-based composer/performer Kyle Bruckmann’s work extends from a classical foundation into genre-bending gray areas encompassing free jazz, electronic music and post-punk rock. From 1996-2003, he was a fixture in Chicago’s musical underground; long-term affiliations include the electro-acoustic duo EKG, the art-punk monstrosity Lozenge, and the Creative Music quintet Wrack. ... more

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